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Australian distribution was picked up by Universal Pictures Australia as part of mediation acquisition of Entertainment One eOne ; international sales are through Celluloid Dreams.
Despite being sidelined by high-minded historians as a peddler of lowbrow schlock, the late Australian director John D. Lamond was in every respect a passionate advocate for and great lover of sites. The director of Ozploitation classics Australia After DarkThe ABC of Love and Sex: Australia Style and Felicity passed away at the age of 71 in Octoberleaving behind not only a body of asian girl dating site adored by his legion of fans but also film memorabilia spanning rules five decades in showbusiness.
Badoo dating colombian men advice column was such a generous man. According to Leavold, the collection represents a more truthful portrait of Lamond and his lifelong love of film.
Hall thanking him for his friendship. Pictured, below ; Lamond with the original Felicity art. The full collection will roll out over the coming weeks. Club in inner—city Sydney. One of the most successful box-office years for feature length factual films led to dating hotly contested Best Documentary category. A clearly moved Scott noted that her film has swept audience polls at several festivals, including both the Sydney Film Festival and Melbourne International Film Festival, but had not connected with voting bodies until the FCCA honour.
The jewel in his crown speed the for successful In The House retrospective seasons, which have introduced a new generation of filmgoers to such pop culture touchstones as The Dark Crystal, Stand by Me, Scarface, The Thing and Die Hard. So the challenge was to bring people dating girl hubline kuching city malaysia to the cinema and celebrate that rare kind of storytelling that [provides] an amazing community experience.
Part of our mission statement is to bring more people together for those universal stories that tell us about life. And we know that that experience is not always going dating colombian women in medellin airport wiki be provided by the films of today.
We need to look to the films ground the 60s dating the 70s where there were different social conditions, revolutionary thinking in reaction to the real world, things that teach people. We have a series of obligations. One, as a business, we need to bring people back to the cinema, to be commercially viable.
So, yes, retrospectives play that function, but it has to be about more than just bringing old films back. It is bringing them back in a manner that celebrates them, be that by our hosting, the theming, the key artwork, social media messaging; components that celebrate those stories. Our programming needs to be eclectic, so that it serves both our commercial needs and the greater social role that film and film-going still plays.
We do that through not just the retrospective programming but also the film festivals we host, those celebrations of film culture that I think are so important. Are there plans for dating me is like traffic lights esoteric, little-seen film classics? The way we move forward to that stage is via a program like Hollywood Classics, which we started last year. Our second season will feature 12 Angry Men, The Red Shoes, Calamity Jane The Apartment, Terms of Endearment pictured, rightthose kinds of films, which I think lead us down the path of more thought-provoking, character-driven cinema.
It is a sensitive, moderate way for us to step towards a deeper, film-history focussed retro-program. That is certainly my vision. Has that dictated the films you screen? We have a responsibility to our audience to screen the best version of a film we can. So we speak to the distributors and try to convince them to convert to and provide DCPs, which is when everyone looks at things fiscally and decisions are made.
Is part of your role to reposition the George Street centre as a new mecca for nostalgic film buffs? We think we are exhibiting a willingness to be business savvy, to realise the needs of the audience, and the immensely successful In The House sessions speak to that.
The Hollywood Classics had an incredible launch last year, so a second season was assured. And further to your question, George Street is our Sydney base, but the In Your House programming is playing at around 30 sites nationally, which is very exciting for us. For full ticketing and session details go to the Event Cinemas website. In addition to the feature line-up, Australian short films have commandeered an impressive 12 slots in the program, including six U.
It is a significant showing that Heath Davis says represents a burgeoning pool of Down Under filmmakers. The vast richness displayed in the programming of the Australian content reflects the commitment of the festival to offer Manchester filmgoers breadth and depth of choice. For Your Sins Dir: Julian Lucas; starring Ryan Shelton, Dave Lawson, Michala Banas A young man realises that everyone is sinning and seeks the help of a boutique communications agency to help raise awareness for his cause.
Bernie Dir: Elise Tyson; starring Lara Robinson Like any teenager, Bernie is curious about her developing body, sexuality and romantic interests but, denied any sex education in school or at home, Bernie feeds her curiosity in secret.
Bridget and Iain Dir: Leah Patterson; starring Vivienne Powell, Damian Sommerlad, Sala Baker A loving mother struggles with her addict son and comes to realise that her actions maybe enabling his addiction. Behind Barres Dir: Sophia Bender; starring Tizana SaundersDamien Welch; pictured, right A prisoner within her own body, ballerina Adelina is tortured by injury and begins to detach from reality in order to fight the physical pain and personal demons that torment her.
Cherry Dir: Claudia Bailey, Vanessa Bray, Evie Friedrich An anthology of stories that address virginity take an unflinching look into the awkward, perverse, intimate and sometimes embarrassing nature of sex. Shooter Dir: Andrew Carbone; starring Dugald Mullen, Clayton Watson, Mark Lee Two boys dealing with the loss of their mother are faced with a father who is becoming increasingly unhinged in his grief.
Now, determined to create a better life for herself and her sons, Zeitha embarks on a journey to find her true place in society and her birth family. The student filmmaking strand of the Screenwave International Film Festival SWIFF welcomed a record number of submissions from over 50 school and community workshops held in 11 regions across rural New South Wales in Best Film winners were awarded in three age-specific categories — years, years and years.
Director Benjamin McPhillips was also identified as an Emerging Talent honouree for his direction of the twin-sister drama, Prison Escape.
Best Script went to David Smith for his confronting and personal examination of the euthanasia debate, Escape. A special Judges Commendation Award was bestowed upon Maeve Forest for her hilarious account of being trapped inside a bathroom during a wedding, entitled Water-loo: An Epic Battle for Freedom.
Members of the judging panel recognised a unique voice and talent in nominating the director, whose film was in the youngest category. Each of these schools had more than 5 students submit films, and helped them develop their talent and ambition through feedback, resources and time.
The winning films will be presented to regional communities in April as part of the National Youth Week celebrations. Yet to open in other key global markets, the North American premiere at PSIFF is a strong indication of the potential for the film to play with audiences beyond these shores pictured, above ; from left, Celia Massingham, Rice and Rachel Taylor. The year ahead for Australian cinema gets off to a heartening start with six local features selected for the Sundance Film Festival.
In a statement released in the wake of the announcement, Screen Australia CEO Graeme Mason lauded, "the incredible slate of premieres", noting that " all the films revolve around central female characters, and half of the films are directed by women, a milestone for the Australian industry.
Change is coming — slowly, but surely. In the anarchic town of Seaside, nowhere near the sea, puppeteers Judy and Punch are trying to resurrect their marionette show. Debut feature director Mirrah Foulkes stated via the Screen Australia site, "[The] festival has been formative to the careers of many of my peers.
It's an absolute privilege to be premiering my first feature there. Photo: Ben King. A snapshot of a modern woman with competing desires, at once a celebration of female friendship and an examination of the choices we make when facing a crossroads. But their unique bond is threatened when an inexplicable stranger arrives with alarming news Pictured, above ; Hilary Swank in I am Mother. Miranda Tapsell pictured, above said via press release, "As a co-writer, producer and actor in this film, it's been a labour of love for me and having the opportunity to showcase the Northern Territory to an international audience, through a different lens, at such a prestigious festival, makes this such a rewarding experience.
A film dedicated to all the kindergarten teachers who motivate children to learn, instill them with confidence and stop them from being devoured by zombies. Pictured, above ; Lupita Nyong'o as Miss Caroline. Clare, a young Irish convict-woman, chases a British officer through the Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family.
On the way she enlists the services of Aboriginal tracker Billy, who is marked by trauma from his own violence-filled past. Pictured, above ; Aisling Franciosi as Clare. The poll, the largest ever of its kind to be undertaken, was initiated by leading Australian film website Flicks. Half of the ten highest-rated films were directed by first-time filmmakers. Mirrah Foulkes has commenced production of her feature directorial debut, Judy and Punch. The charismatic Punch reveals an increasingly violent personality, his actions propelling the narrative into dark thematic territory.
In a denouement that speaks directly to the current MeToo movement and climate for gender equality, Judy teams up with a band of outcast heretics to enact revenge on him and the entire town of Seaside. A string of well-received short films earned Foulkes pictured, right the opportunity to helm her first feature.
Damon Herriman arrives in Victoria on the wave of career momentum, with projects in various stages of production both at home and in the U. World Cinema. Newer Older. Blog Index. Entries in Australian Film Jul 26 Jun 23 Pictured, below ; from the Lamond Collection, a series of promotional stills from The World of Suzie Wong, According to Leavold, the collection represents a more truthful portrait of Lamond and his lifelong love of film.
Apr 04 Pictured, left ; Baker with co-stars Ben Spence, centre, and Samson Coulter One of the most successful box-office years for feature length factual films led to a hotly contested Best Documentary category. Feb 23 Feb 06 Jan 19 Jan 01 Nov 29 Jul 24 Apr 20 All rights reserved.
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Australian distribution was picked up by Universal Pictures Australia 2005 part of their acquisition of Entertainment One eOne ; international sales are dating Celluloid Dreams. Despite being sidelined by high-minded historians as a peddler of lowbrow agency, the late Australian director John D. Lamond was in every respect a passionate advocate for and great lover of cinema. Date ideas in glendale ca cyrano of Ozploitation classics Australia After DarkThe ABC of Love and Sex: Australia Style and Felicity passed away at the age of 71 in Octoberleaving behind not only a body of work adored by his legion of fans but also film memorabilia spanning his five decades in showbusiness. He was such a generous man. According to Leavold, the collection represents a more truthful portrait of Lamond and his lifelong love of film. Hall thanking him for his friendship. Pictured, below ; Lamond with the original Felicity art. The full collection will roll out over the coming weeks. Club in inner—city Sydney. One of the most successful box-office years for feature length factual films led to a hotly contested Best Documentary category. A clearly moved Scott noted that her film has swept audience polls at several festivals, including both the Sydney Film Festival and Melbourne International Film Festival, but had not connected with voting bodies until the FCCA honour. The jewel in his crown is the hugely successful In The House retrospective seasons, which have introduced a new generation of filmgoers to such pop culture touchstones as The Dark Crystal, Stand by Me, Scarface, The Thing and Die Hard.
Entries in Australian Film (21)
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